Canon EOS C100 Mark II Cinema EOS Camera and Atomos Ninja Blade
- Super 35mm 8.3MP CMOS Sensor
- 1920x1080p 59.94/50/29.97/25/23.98
- Dual Pixel CMOS AF Hardware
- HDMI Output with Timecode & C-Log LUT
- Dual SDHC/SDXC Memory Card Slots
- ISO 320 to 102,400
- Built-In Wi-Fi Capability
- Ninja 2 On-Camera Monitor / Recorder
- HDMI Cable & Articulating Arm
The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon’s updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.
The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5″ OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.
The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.
The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera’s flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.
- Dual Pixel CMOS AF Technology
- The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.
Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses – including newer-generation STM lenses – which offer even smoother and quieter operation.
- Continuous Recording
- The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley’s EDIUS Pro 7 software.
- 320 to 102,400 ISO Range
- With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
- Menu Navigation via Camera Buttons
- Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.
- Viewfinder Magnification Location Shift
- Manually move the center of the camera’s magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
- Record Button Lock
- The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button
- Super 35mm 8.3MP CMOS Sensor
- The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.
- DIGIC DV 4 Image Processor
- Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.
- Low Light Sensitivity
- Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.
- Canon Log Gamma and Wide DR Gamma
- Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.
Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.
- EF Lens Mount with EF Contacts
- The camera is fully compatible with Canon’s renowned EF mount lenses. Even specialty lenses, such as Canon’s 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.
- Multiple Recording Modes and Frame Rates in AVCHD
- The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920×1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.
- Multiple Recording Modes and Frame Rates in MP4
- The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
- Uncompressed HDMI Out with Timecode & Canon Log LUT Support
- Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.
- Compact and Ergonomic Design
- Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a “run-and-gun” style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.
- Removable Top Handle with XLR Inputs and Stereo Microphone
- Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
- High Resolution EVF and Integrated OLED Display
- Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45″ electronic viewfinder with 100% coverage. The built-in 3.5″ 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera’s waveform monitor.
- AVCHD or MP4 File Based Recording to SD Cards
- The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.
The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
- Full Manual Control and Focusing Aids
- The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.
- One Shot AF and Push Auto Iris
- One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
- Built-In ND Filters
- In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.
- Remote Terminal
- Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.
- Additional Features
- Waveform monitor; standard and RGB modes
- Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
- Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
- Timecode modes: Regen, Record Run, Free Run
- Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
- Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level
- 15 assignable function buttons
- SMPTE, EBU, or ARIB standard color bars can be selected
The Atomos Ninja Blade 5″ HDMI Monitor & Recorder features a 1280 x 720 resolution display with 325 dpi providing a sharp image, in a small monitoring package. It records up to 1080 30p/60i resolution via HDMI to an available HDD or SSD using either Apple’s ProRes or Avid’s DNxHD codecs. Recording at 10-bit with 4:2:2 color sampling, this unit provides you a monitoring and recording solution in one compact battery powered unit.
The Ninja Blade features an on screen display system that allows you to select the functions you wish to control with a touch of your finger. Select from waveform or vectorscope overlay to view the signals, focus peaking helps you to see what is in focus in your shot.
Blade accepts 2.5″ HDDs/SSDs, which are sold separately. This is the full version, which includes a docking station that offloads these drives to your computer via USB 3.0/2.0. You also get a Sony-type NP-F570 battery, a charger, an AC adapter for continuous power, and two master caddies for available HDD/SSD It features two 1/4″-20 threaded mounting holed, one each top and bottom.
- Key Features
- 325DPI, 5″ IPS 1280 x 720 capacitive touchscreen monitor/recorder.
- Waveform RGB & luma parade, vectorscope with zoom, and test pattern generator.
- Adjustable gamma, contrast and brightness.
- HDMI input and output.
- Real-time monitoring, playback, playout to a PC or Mac with QuickTime, and edit logging.
- Focus peaking, 0-100% zebra, and two modes of false color monitoring.
- Records 10-bit, 4:2:2 in ProRes or DNxHD.
- S-Log / C-Log recording.
- Trigger REC/STOP from camera (Canon, Sony, ARRI, Panasonic, RED, JVC)
- Timecode from camera.
- 2.5″ HDD/SSD media storage.
- Uncompressed Recording
- The Ninja Blade records directly from from the camera’s video output, bypassing in camera compression, allowing the unit to record at 10-bit, 4:2:2 to Apple ProRes or Avid DNxHD.
- AtomOS 5.0 Capacitive Touchscreen OS
- Blade’s operating system, AtomOS, manages recording, playback, monitoring, and simple cut and tag editing via a capacitive touchscreen. AtomOS 5.0 supports alpha channel, transparency support, full waveform RGB and luma parade, and vectorscope with zoom.
- Cut and Tag
- AtomOS 5.0 lets you rough cut your footage, tag it as Favorite or Reject, and then save it as a project to be finished and polished in the studio. You can cut and tag short and long clips with transport controls and finite frame-by-frame accurate stepping.
- Synced REC Trigger and Timecode
- The Blade provides frame accurate timecode and start stop triggers over HDMI from many cameras, including Canon, Sony, Panasonic, Nikon, JVC, RED and ARRI. It also features LANC and rolling timecode trigger for those older cameras that don’t have start stop flag protocols on board. The Blade additionally has tally lights to indicate start time.
- ProRes and DNxHD Encoding & Playback
- The unit encodes in your choice of Apple’s ProRes and Avid’s DNxHD codec and can also play back any ProRes or DNxHD file from any system, recorder or edit suite. You can take advantage of this playback capacity to take rushes on the road.
- HDD or SSD Storage
- It records to available 2.5″ HDDs or SSDs, which are hot swappable. As SSDs are resistant to vibration they are ideal for shoots in rough conditions, such as on a race track.
- File Recovery
- In case you accidentally pull the power or remove the storage drive while recording, the operating system will detect the disruption and will reconstruct your file to within 2 frames.
- Audio Monitoring
- All audio, even analog, is locked frame accurately to every video frame, never drifting or losing sync. If digital audio is out of sync from the camera, you can even adjust sync on the fly by advancing or delaying incoming audio. The Ninja Blade monitors/records 2 channels of audio embedded in the HDMI signal, and 2 analog audio channels.
- The Blade is built with aircraft grade aluminum and features locking mechanisms for each removable part.
- Low Power Consumption
- Blade consumes only 6W of power and can be powered by the included Sony NP Type battery. The unit features two locking battery slots, and comes with a Nikon EN-EL15 type battery adapter plate, and an LP-E6 type battery adapter plate, allowing you to use batteries other than the Sony NP type to power the unit
|Sensor||Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)|
|Total Pixels||Approx. 9.84 megapixels (4206 x 2340)|
|Effective Pixels||Approx. 8.29 megapixels (3840 x 2160 pixels)|
|Processor||DIGIC DV 4|
|Color Filter||RGB Primary Color Filter (Bayer Array)|
|Autofocus||AF is dependent on interchangeable lenses|
Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses
|Type||3.5″ / 8.9 cm, OLED|
640 x 480
|Adjustments||Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)|
|Type||0.24″ (0.61 cm) color|
|Diopter Adjustment||+2.0 to -5.5|
|Adjustments||Brightness, Contrast, Color, and Backlight|
|HDMI Output||1 x Type A|
|Timecode||Embedded in HDMI output|
|Audio Input||2 x Balanced 3-pin XLR on top handle unit|
1 x 3.5 mm input jack on main body
|Headphone Jack||1 x 3.5mm stereo mini-jack|
|Remote Terminal||LANC compatible|
|USB||1 x Mini-B USB 2.0|
|White Balance||Auto, Kelvin, Daylight, Tungsten, Set A, Set B|
White balance shift is available within Presets (-9 to +9)
|Waveform Monitor||2 Modes (Standard and RGB Component)|
|Minimum Subject Illumination||59.94 Hz: 0.3 lux|
50 Hz: 0.25 lux
|Language Support||English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean|
|Power Supply||7.4 V DC (battery pack: BP-955)|
8.4 V DC (DC IN)
|Operating Temperature||Performance requirements|
32 – 104°F (0 – 40°C), 85% relative humidity
32 – 113°F (0 – 45°C), 60% relative humidity
|Dimensions (W x H x D)||Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm)|
Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm)
W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm)
W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)
|Weight||Body only: approx. 2.2 lb (1.0 kg)|
Grip: approx. 8.1 oz (230 g)
BP-955 Battery: 7.8 oz (220 g)
|Package Weight||12.2 lb|
|Box Dimensions (LxWxH)||14.5 x 12.0 x 12.0″|
In the Box
- Handle Unit
- Thumb Rest
- TB-1 Tripod Adapter Base
- Shoulder Strap SS-1200
- BP-955 Intelligent Lithium-Ion Battery Pack (5200 mAh)
- Battery Charger
- Compact Power Adapter CA-940N
- DC Cable (for CA-930)
- AC Cable
- CD-ROM with Data Import Utility Ver. 1.0
- Atomos Ninja Blade 5″ HDMI On-Camera Monitor & Recorder (Full Version)
- Powered Docking Station with USB 3.0 & 2.0
- Sony-Type NP-F570 Battery
- Single Battery Charger
- AC Adapter
- 2 x Master Caddies
- Canon LP-E6 Type Battery Adapter
- Nikon EN-EL15 Type Battery Adapter
- Rugged Carry Case