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300W Power Output: The Jinbei MARS-3 delivers a robust 300 watts of power, providing ample illumination for a wide range of photography scenarios. This power level is perfect for portrait, fashion, and event photography, offering bright and even lighting that enhances the quality of your images.
TTL & Manual Modes: The MARS-3 supports TTL metering, automatically adjusting the flash output based on your camera’s exposure settings. This feature ensures accurate and balanced lighting, allowing you to focus on composition and creativity. For those who prefer manual control, the flash also offers manual mode, enabling you to adjust the output to suit your specific needs.
High-Speed Sync (HSS): The flash supports High-Speed Sync up to 1/8000s, allowing you to use fast shutter speeds and wide apertures even in bright conditions. This feature is especially useful for outdoor shoots where controlling ambient light and creating a shallow depth of field is essential.
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800W Power Output: The Jinbei MSN-800 TTL delivers a powerful 800 watts of output, providing strong and consistent illumination for larger studio setups. This high power level is ideal for detailed, high-resolution photography where precise lighting is crucial.
TTL & Manual Modes: The flash supports TTL metering, which automatically adjusts the flash output based on your camera’s exposure settings, ensuring perfectly balanced lighting without the need for manual adjustments. For photographers who prefer complete control, the unit also offers manual mode, allowing you to fine-tune the output according to your specific needs.
High-Speed Sync (HSS): With support for High-Speed Sync up to 1/8000s, the MSN-800 TTL allows you to shoot with fast shutter speeds, enabling you to freeze motion or use wide apertures in bright conditions. This feature is particularly useful for dynamic shoots and creating shallow depth of field effects in challenging lighting situations.
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This RF-603C II Remote Flash Trigger Kit from Yongnuo features two 16 channel, 2.4 GHz transceivers as well as a shutter release cable for remote triggering of Canon cameras with a 2.5mm connection. Each transceiver has a male camera shoe on the bottom as well as a female hot shoe on top for triggering a flash unit. The system has a wireless range of 328′ and can sync at speeds up to 1/320 second. Additionally, it has a dual-function shutter release with half-press and full-press capabilities.
The transceivers can be placed in either single transmit or transceiver modes depending on your needs and can wake up flash units and cameras. Also, it has 2.5mm and PC sync ports for using additional cables in order to connect studio flashes or to different cameras. This kit comes with a shutter release cable for the 2.5mm connection. Also, each trigger runs on 2 AAA batteries.
This RF-603N II Remote Flash Trigger Kit from Yongnuo features two 16 channel, 2.4 GHz transceivers as well as a shutter release cable for remote triggering of Nikon cameras with a DC2 connection. Each transceiver has a male camera shoe on the bottom as well as a female hot shoe on top for triggering a flash unit. The system has a wireless range of 328′ and can sync at speeds up to 1/320 second. Additionally, it has a dual-function shutter release with half-press and full-press capabilities.
The multi-functional Nikon SU-800 Wireless Speedlight Commander Unit forms the nerve center of any i-TTL multiple flash-lighting situation.
Capable of metering and triggering groups of remote Speedlights in the Nikon CLS (Creative Lighting System), a one-touch switch fully automates accurate exposures of small subjects instantly. Manual adjustment of the balance of each units output is simple to control through the comprehensive LCD panel.
Expanding on their line of panels, the LED1000 Plus Series Bi-Color LED Light from Dracast adds a digital display for adjusting output as well as Cat5 DMX input and output for linking and comes with both Gold mount and V-mount battery plates. The light features 1024 LEDs with a high CRI of >95 for excellent color accuracy. Also, this model features a variable color temperature from 3,200-5,600K for quickly matching either daylight or tungsten sources without needing to mess around with gels.
The lights offer a spot beam angle of 45° as well as dimming from 0-100%. Benefitting operation, it can run off of either a DC source, such as a Gold mount or V-mount battery, or a universal 100-240 VAC adapter. The light is durable as well with an aluminum chassis, frame, and mounting yoke and it only consumes 60W of power. Additionally, it is lightweight at just 5.5 lb and measures 12 x 12 x 2″ in size.
At just 4.0 lb the LED500 Pro Bi-Color LED Light from Dracast is an ideal choice for location work, interviews and small sets where color accuracy, control and flicker-free output are of major importance. Variable color temperature from 3,200K-5,600K or anywhere in between means that you can quickly match the prevailing ambient or artificial light balance with a simple twist of a knob while others are still applying filters. Dimming is equally convenient via another knob that adjusts the light intensity from 100-0% with negligible color shift. The low electrical draw of just 30W means a timely return on your investment.
The durable anodized aluminum frame is supported by an oversized, U-shaped yoke with locking knobs on each side and a standard 5/8″ receiver. The LED500 can be used worldwide, powered by the included 100-240 VAC adapter in the studio, or by V-Mount batteries in the field. Four-way barndoors for contouring and control of the LED500’s 45-degree beam angle are available separately. For protection during transport and storage, a carry case is included.
Expanding on their line of panels, the LED500 Plus Series Bi-Color LED Light from Dracast adds a digital display for adjusting output as well as Cat5 DMX input and output for linking and comes with both Gold mount and V-mount battery plates. The light features 512 LEDs with a high CRI of >95 for excellent color accuracy. Also, this model features a variable color temperature from 3,200-5,600K for quickly matching either daylight or tungsten sources without needing to mess around with gels.
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Nanlite Projection Attachment for Bowens Mount with 19° Lens 
Sutefoto LED 660 PRO Metal Series 
